Original sculpture: 39cm x 27cm x 34cm
Even if it looked like rain, Bob wanted to play golf at all costs. It really wasn’t easy, but he managed to convince Steve, his best friend, to play a game. After having selected the perfect club for a rainy day, Bob prepared for his first swing when a black cloud began to cover the sky. He raised the club above his shoulders in a perfect back swing. A few small drops began to wet the green, but he concentrated on where he was going to hit the ball, he raised his iron a little higher when….lightning struck barely ten metres away. Even if he was still shaking three days later, he managed to make the longest drive in history. We still haven’t found the ball.
From the early 1980’s, Guillermo Forchino experiments with various materials to create works of art in volume. This research began at the Ecole des Beaux-Arts in Rosario, Argentina and then continued with three years of studies in art restoration and conservation at the Sorbonne University in Paris, France. During his studies he discovered and mastered classic techniques and materials.
After completing his studies in Paris, he returned to Argentina where he directed the Juan B. Castagnino atelier of art restoration of the Museum of Beaux-Arts of Rosario. It was during this period that Forchino began creating figures made from wrapped bands of cloth where the visible parts of the body (head and hands) were made from wax and paper maché coloured with natural pigments.
At the end of the 1980’s, Forchino chose poly resins to create figures and scenes that resemble the world of comic strip and cartoon characters. They are typically unusual and humorous subjects such as a family leaving on vacation in an overloaded car with flat tires or a tired, old American pick-up truck from the 1950’s. He has used other modes of transportation such as boats, planes and motorcycles and has even used a bathtub for a military dictator. His characters are always handled with humour and finesse and given a soul.
Guillermo Forchino lives and works in Paris in his workshop two steps away from the Père Lachaise cemetery.